Culture Club

Survivorship bias or survival bias is the logical error of concentrating on the people or things that made it past some selection process and overlooking those that did not, typically because of their lack of visibility. This can lead to false conclusions in several different ways. It is a form of selection bias. Survivorship bias can lead to overly optimistic beliefs because failures are ignored, such as when companies that no longer exist are excluded from analyses of financial performance. It can also lead to the false belief that the successes in a group have some special property, rather than just coincidence (correlation proves causality).

Anarchy in the U.K. Songtext
Right now

I am an antichrist
And I am an anarchist
Don't know what I want
But I know how to get it
I wanna destroy passerby
'Cause I wanna be Anarchy

No dog's body

Anarchy from the U.K.
It's coming sometime and maybe
I give a wrong time, stop a traffic line
Your future dream is a shopping scheme
'Cause I
I wanna be anarchy

In this city


How many ways to get what you want
I use the best
I use the rest
I use the N.M.E.
I use anarchy
'Cause I wanna be anarchy

It's the only way to be

Is this the M.P.L.A.?
Or is this the U.D.A.?
Or is this the I.R.A.?
I thought it was the U.K.
Or just another country
Another council tenacy

I wanna be anarchy
And I wanna be anarchy

Oh what a name!

And I wanna be an anarchist
I get pissed destroy!
 

Chéri Samba or Samba wa Mbimba N?zingo Nuni Masi Ndo Mbasi (born 30 December 1956) is a painter from the Democratic Republic of Congo. He is one of the most famous contemporary African artists, with his works being included in the collections of the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.

Sokari Douglas Camp CBE (born 1958 in Nigeria) is a London-based artist who has had exhibitions all over the world and was the recipient of a bursary from the Henry Moore Foundation. She was honoured as a Commander of the Order of the British Empire (CBE) in the 2005 Birthday Honours list.[1]

Ibrahim El-Salahi (born 5 September 1930) is a Sudanese artist painter and former politician and diplomat. He is one of the foremost exponents of the hurufiyya art movement which sought to combine traditional graphic forms, especially calligraphy, into contemporary artworks with a distinct Arab identity, in the late 20th-century.

Julie Mehretu (born 1970 in Addis Ababa, Ethiopia) is a contemporary visual artist, best known for her densely layered abstract paintings and prints. She is best known for her large-scale paintings that take the abstract energy, topography, and sensibility of global urban landscapes as a source of inspiration.

Kudzanai Chiurai (born 1981) is a Zimbabwean artist and activist. His repertoire of art combines the use of mixed media to address and tackle social, political and cultural issues in Zimbabwe.[1] Since his first solo exhibition in 2003, his artworks have been exhibited in the Museum of Modern Art in New York City, Museum für Moderne Kunst in Frankfurt, Victoria and Albert Museum in London, and documenta in Kassel, Germany.

Abdoulaye Diarrassouba, also known as Aboudia is an African contemporary artist based in Brooklyn, New York who works from his studios of Abidjan and New York City. Born on October 21, 1983 in Côte d'Ivoire, and graduated from the School of Applied Arts in Bingerville in 2003.[1] In 2005, he graduated from the Institut des Arts in Abidjan.[2] He first reached an international audience during the siege of Abidjan in 2011, when the conflict came close to his studio.

 

Werd ich bei Gelegenheit fortsetzen. Es handelt sich ja um Clips, die man auch sehen muss und nicht nur hören. Da kann ich dann nichts parallel machen. Hab es vermieden, von 'black' Artists zu sprechen, obwohl die alle oben 'black' sind - und ausnahmslos im Exil.  

Le Peuple de l'Herbe is a French electronic music band formed in 1997 in Lyon. Their music mixes hip-hop, acid jazz, nu jazz, dub, rock and drum and bass

Am Samstag live in Kiel

Mourning and Melancholia (German: Trauer und Melancholie) is a 1917 work of Sigmund Freud, the founder of psychoanalysis. In this essay, Freud argues that mourning and melancholia are similar but different responses to loss. In mourning, a person deals with the grief of losing of a specific love object, and this process takes place in the conscious mind. In melancholia, a person grieves for a loss he is unable to fully comprehend or identify, and thus this process takes place in the unconscious mind. Mourning is considered a healthy and natural process of grieving a loss, while melancholia is considered pathological.