Alternative nicht nur für Österreich zu neuerdings aufgetauchten Nachfahren jubelnder Hitlerjugend auf dem Reichsparteitagsgelände und von Blauhemden vor Honeckers Tribüne, die von diktatorisch agierenden und agitierenden PolitikerInnen der Altparteien gegen ihre nationalkonservativen und klimaskeptischen Eltern in Stellung gebracht werden..
Fillorkill
: metamigranten: Cléo de 5 à 7 (arte heute 21.55)
Cléo from 5 to 7 (French: Cléo de 5 à 7) is a 1962 French Left Bank film by Agnès Varda.[1] The story starts with a young singer, Florence "Cléo" Victoire, at 5pm on June 21, as she waits until 6:30pm to hear the results of a medical test that will possibly confirm a diagnosis of cancer. The film is noted for its handling of several of the themes of existentialism, including discussions of mortality, the idea of despair, and leading a meaningful life. The film also has a strong feminine viewpoint belonging to French feminism and raises questions about how women are perceived, especially in French society. The role of mirrors are prevalent to symbolize self-obsession, which Cléo embodies.
----------- seeing well in the dark is the major function of an owl's eyes